An Interview with....Marie Grace Smith









Once a week I post interviews with interesting designers about their insights on their experience of working in the Knitting industry. I’ve noticed that every designer makes their living in a slightly different manner bringing their own unique presence to the Knitting world.





You can find Marie Grace here http://www.mariegracedesigns.com/ and here http://www.ravelry.com/people/mariegrace








Where do you find inspiration?
If you’re at all familiar with my designs you’ll know that my main focus is on children. I’ve been sewing clothing and children’s items a lot longer than I’ve been knitting and I think its safe to say that my knit designs often reflect the same sort of styles I like to sew. I love classic and heirloom style clothing for kids and all the little details that go along with that specific style. I’m always drawn to A-line silhouettes, pretty collars and necklines, and dainty embroidery.
Creating things that are functional is important to me and a new design often starts out as a piece I’d like to knit for one of my own kids. Trying to find that balance between classic, fun, and functional is what its about when you design kid’s stuff.

What is your favourite knitting technique?
I honestly don’t have a favorite. I love everything to do with knitting. As much as I enjoy working in the round I’ll just as easily decide on a design with seams. I love texture and cables but am also enamored with simple shapes and stockinette. I’ll knit back and forth and I’ll cut a steek. I think the whole reason I made the transition from knitter to knit-designer is my drive to try everything.

How did you determine your size range?
When I first started buying knitting patterns because I wanted to knit things for my own kids I figured out pretty quickly that there are precious few patterns sized for older kids so its always been important to me that my designs are available in a wide range of sizes. Most of my patterns are sized from a toddler size 2 up to a youth size 12. Though I just don’t feel every design is appropriate for older kids most are and its not much more work to offer a wider size range.

Do you look at other designers work or are you afraid that you will be influenced by their designs?
I do look at other designers’ work simply because I’m a knitter. I have subscriptions to magazines and I visit knitting sites and blogs just as much as anybody other knitter. I don’t worry about being influenced by other designers because I feel that I have my own style and aesthetic that I work within.

How do you feel about the so called controversy of "dumbing down" patterns for knitters?
I’m not really sure how to answer that. Patterns should always be clear and understandable no matter what experience level they cater to. At the same time there’s so much information out there in the form of online tutorials, books, and classes that anybody can find an answer to almost any question or instructions for a technique. I think its up to knitters to investigate new things and to be motivated enough to get their questions answered by doing a little research.
I’ve made it a point to list “Skills Needed” on all my patterns so knitters will always know what to expect before they purchase the pattern which I think is helpful.

How many sample/test knitters do you have working for you or do you do it all yourself?
I’ve always done all my own knitting. I did try to use a sample knitter once and though she did a great job I found that I felt really distant from my own design. I often make changes to ideas as I go and that’s something that’s harder to do once you’ve handed it off to another knitter. I may consider a sample knitter again in the future but only for completed designs that I’ve already knit myself and need extra samples of for trade shows or something like that.

Did you do a formal business plan?
What’s a business plan?

Do you have a mentor?
No, but there are many designers I admire and learn from just by paying attention to discussions and reading interviews and articles.

Do you have a business model that you have emulated?
Not really. I’ve just sort of gone where it takes me. I’ve been content to primarily self publish. I’m considering some bigger projects in the near future but really I’m just doing what works for me as I go.

What impact has the Internet had on your business?
I doubt I’d be doing this at all if it weren’t for the Internet. I “accidentally” started designing right when knitting blogs and down loadable patterns started really taking off. I honestly believe I was just at the right place at the right time. Though things have grown and my patterns are available in printed form through Deep South Fibers I continue to use the Internet to offer pattern downloads plus all the fun stuff like blogging and writing the occasional tutorial as well as interacting socially with other knitters and crafters. The internet also makes it easier for somebody like me who has very little business experience to be able to learn about things like advertising and allows for opportunities I otherwise wouldn’t have or couldn’t afford to take part in.

Do you use a Tech Editor?
Absolutely! I’ve been working with Joan Beebe exclusively for a while now and could never thank her enough for catching all my weird math and backward thinking. I’m an extremely visual knitter/designer so there’s often a really important chunk lost between what I mean and what I write down. Joan’s never ending patience is invaluable. I wouldn’t consider publishing anything without working with a dependable tech editor.

How do you maintain your life/work balance?
Balance is one of those things that always seems to be just out of reach. If I’m working I want to be outside hiking or playing with the kids. If I’m playing I feel like I should be working. Really I just try to feel like I’ve made some progress every day whether its writing up a pattern, finishing a project around the house, or weeding the garden. If all I manage to do with my day is hang out with the family and end the day feeling good, that’s good enough.

How do you deal with criticism?
Not very well. One nasty email is often enough to wreck my whole day and I have a hard time shaking it off. I think that sometimes people don’t realize that most designers go out of their way to make sure patterns are correct and a project will turn out the way it should but we aren’t magical. We can’t make every design fit every body perfectly and we aren’t responsible for another knitters yarn substitution decisions. Most of us work to the standards set down for us and do our very best to write clean, clear instructions. Really, I’m just a mom sitting here in my kitchen trying to figure out what to make for dinner and wondering if I have time to throw in one more load of laundry. I think sometime customers forget there’s a real person on the other side of the pattern.

How long did it take for you to be able to support yourself?
If that ever happens I’ll let ya know. I’m very lucky to have a supportive partner both financially and emotionally. Its important to both of us that I be home with the kids so the fact that I’ve found a way to make a little money to contribute to the household and do something fulfilling just for me is a total bonus.

What advice would you give someone who wants to pursue a career in knitting?Use a tech editor. Listen carefully when other designers talk business. Be as helpful as you can but don’t allow yourself to be walked on.










Luxe Knits

I ask the question, "Do you look at other designers' work or are you afraid that you will be influenced by their designs?" in my weekly interviews. I personally look at everything: art, nature, textiles, mainstream fashion and the work of other Knitters. I never know where their inspiration will take me but I love the ride!



Luxe Knits really intrigued me. The stying was retro glamour but at the same time it had a timeless quality. There were a number of garments that had a ladylike sensibility that appealed to my sense of style as well as some that were presented with the young knitter in mind.



Knitted skirts are very difficult to do successfully and there are 2 in this book that work well. Hand knit skirts are an item best worn by those with a slender figure but the A-line shape of these would flatter more body shapes. The tonal skirt in particular avoided the extra weight hand knits can add and actually looked a little floaty. That same element was used in a summer dress with a smocked bodice. The cable skirt would be harder to wear but I think the wide panels between the cables helped to cut down on the visual bulk. It was knit with a sport weight alpaca yarn that probably helped to make a drapey fabric.






The schematics are separate from the projects appearing at the back of the book. I would prefer that they appear with each pattern but it may have been done that way to save on layout space.



There is also small section of 4 crochet patterns. One incorporates a mainly knitted top with a free form crochet back section.



This book has a good variety of projects and as a designer I liked the approach of organizing around the techniques used, I love to play with one technique in different formats and I could see how Laura Zukaite did the same in her design process.



Laura has a new book coming out soon so I will look forward to seeing that one as well. You can find Laura here http://laurazukaite.blogspot.com/ Head on over and check out her older posts as well to see a number of the book projects. She also has a sweater published here http://knitty.com/ISSUEwinter06/PATTdragonfly.html



Has anyone knit from this book if you have I'd be interested in seeing your comments.

The Bizarre and Brilliant World of Knitted Science



I'm always fascinated by the things people choose to knit. Take a look here http://discovermagazine.com/photos/03-the-bizarre-and-brilliant-world-of-knitted-science




All the items were produced by different Knitters who have completely different professions some science based. If you follow the links Emily Stoneking has an Etsy shop http://www.etsy.com/shop/CraftyHedgehog with more traditional knit toys.





I'm slightly creeped out by a few of these things but awed by the designers ingenuity in the way the knitting represents the intended science concept. I suspect that the technical challenge was often the motivation for the knitting. A few of the items are simply beautiful and belong in the art world more than the craft world for those of us who make a distinction. (I'm not yet clear in my own mind exactly if that distinction is more than semantics or elitism or if it matters at all).


What I do love is the whimsical nature of some of the pieces, the pure joy I have looking at them and the knowledge that there are some fabulous Knitters out there doing more of this that I will get to see in the future.